THE ARCHETYPAL ARCHIVE

 During Frederen's visit to the laboratory of Rotwang (whose name in German means "red cheeks"), the reader learns (pretty muc...

 In the 1927 film, Freder tries to follow Maria, but loses her and finds himself in the City of Workers, where he seems utterly shocked to s...

 I've just started re-reading Thea Von Harbou's METROPOLIS for the first time in perhaps forty years, as it occurred to me that it m...

 I saw FANTASTIC FOUR: FIRST STEPS yesterday, and prior to crafting a review for the movie-blog I decided to mediate on why I found myself l...

The last installment of THYMOS BE DE PLACE appeared in 2009 , while the last time I wrote about Frank Fukuyama's magisterial application...

 Some of my current terminology re: "originary and variant propositions" was preceded by the two essay-series CRYPTO-CONTINUITY AN...

     The latter half of Grant Morrison's run on ANIMAL MAN wasn't originally given any particular title. However, by whatever contri...