EXCESSIVE COMBINATORY FORCE

Having recently referenced the "excess" theory last put forth in 2013's  THE NARRATIVE RULE OF EXCESS, I began wondering to myself if, having applied this standard to the mode of dynamicity, whether I had sufficiently examined it with respect to the combinatory mode as well.

I did find that I had at least mentioned the topic in THE AMPLITUDE ATTITUDE PART 3, however:

Wheelwright's term "amplitude," which he applies to differing levels of poetic resonance, suggested itself as a substitute-- partly because the word connotes the quality of being ample, and thus coheres with my formulation of THE NARRATIVE RULE OF EXCESS. 

So I have at least made the essential statement that for the combinatory mode as for the dynamicity-mode, "excess of strength is proof of strength," as Nietzsche aptly said.

This formulation might be further glossed with reference to Bataille's Nietzchean notions of "acquisition" and "expenditure," particularly since I haven't  returned to Bataille-land since QUICK CANTER ON A HOBBESIAN HORSE, written about four months previous to NARRATIVE RULE.

Time will tell if I get round to such an expansion.