AGAIN, DANGEROUS EQUITY PT. 1

To preface this essay, I'll quote myself once more on the topic of negative and positive equity:

'In finance the word "equity" transmuted from connoting a principle of social fairness to something closer to a properly modulated exchange of capital.  The financial term has also begotten the offspring "positive equity" and "negative equity." On this site I found a felicitously simple definition of these secondary terms: from the point of view of a bank, "positive equity adds value to the bank, while negative equity takes value away"... In short, "positive equity" is achieved when someone points out a genuine abuse of fairness, while "negative equity" is achieved when someone uses the concept of fairness incorrectly, to be unfair to someone else.'

In Part 2 of January's essay-series EMANICIPATION VS. FREEDOM,  I commented on the opening chapters of Alex Nevala-Lee's ASTOUNDING. I commented upon the promising nature of a book on the "neglected topic" of the effect of John W. Campbell's editorial reign at ASTOUNDING SCI-FI, but I also found fault with the author's need to "virtue signal" on what Campbell should or should not have done in his heyday with respect to racial matters.

As I've now finished the book, my early anticipations of the work's quality as a cultural biography of the men profiled was fully justified. Further, though I do not retract anything I wrote about Nevala-Lee's opening remarks, I should note that he does not "virtue signal" throughout the text, which would certainly have damaged the credibility of the work. Only in the last chapter (not counting an epilogue) does Nevala-Lee substantially return to the topic of "race in modern America" that he raised in the first sections.

In my remarks, I made this statement:

Campbell may have been racist in specific ways-- and this is something Nevala-Lee may well be able to demonstrate in future chapters-- but he certainly was not racist because he didn't have some visionary apprehension of another generation's concept of equity.

In that last chapter-- titled "Twilight" after one of Campbell's most famous short stories, and referencing the editor's declining years and death-- Nevala-Lee does indeed demonstrate that John W. Campbell was more than a casual racist. To be sure, I had heard the accusation once or twice from other sources, though I personally would not have been able to weigh in with any informed opinion. I had read a fair number of Campbell's reactionary editorials from the last decade of his life, when ASTOUNDING had been remolded into ANALOG. Said editorials usually stayed away from the topic of race, though I do remember one essay in which Campbell inveighed against the "burn baby burn" politics of Stokely Carmichael and gave his approval to the accomodationist approach of Martin Luther King Jr. And Nevala-Lee does not reference Campbell's editorials either, finding more than circumstantial evidence both in Campbell's letters and in anecdotes from people who knew the editor. There is, for instance, more than enough evidence to state that Campbell nurtured an animus against the Negro race, and that even some of his favorable judgments-- as when he told Jewish writer William Tenn that he Campbell considers the Jews "homo superior"-- were also couched in racist diatribes. In my earlier essay I scoffed at Nevala-Lee for suggesting that Campbell could have made any difference to American racial politics in the 1940s with his little SF-magazine, and I still scoff at that. However, I also argued:

In the 1950s and 1960s, there were marginal changes that went against the cultural grain, such as Sidney Poitier movies and the presence of non-white heroes in ensembles like those of I SPY, MISSION IMPOSSIBLE and Marvel Comics's THE AVENGERS. During this period, perhaps one might fairly fault a given editor or writer for keeping things too WASPy

And, mirable dictu, one anecdote attests to Campbell's having resisted the currents of the new cultural paradigm, in that he reportedly refused to publish Samuel R. Delany's NOVA because it had a non-white protagonist.

So, it would appear, from everything I've summarized about Nevala-Lee's disclosures, that the balance of his complaints against Campbell should constitute "positive equity." And for the most part, this holds true. Except---

See Part 2.