THE ARCHETYPAL ARCHIVE

My formulations on observations re: static and dynamic alignment in Part 5  only discussed villains appearing in serial features in subordin...

The works of H.P. Lovecraft present a challenge to the newly born science of crossover-ology. Though there were assorted crossover stories i...

On this blog I've devoted thousands of words attempting to imagine the diffuse operations of literary endeavor into more specified categ...

 At the end of 2020's  EQUAL AND UNEQUAL VECTORS OF AUTHORIAL WILL PT. 2 , I wrote: The same dynamic also applies to those serials that ...

(Note: in writing this sequel to my one essay on the topic of novelty and recognizability, I've decided to replace the latter term with ...

As I indicated at the end of GOLDEN AGENCY PT. 1 . "vectors of agency" are what determine whether or not to judge a given crossove...

 Let's see if I can get in one last new analytical term before the year ends... I was musing on the concept of dynamis in the literary s...