THE ARCHETYPAL ARCHIVE

 Re: ACT's successful campaign against cartoon superheroes in the late 1960a-- ____________ ACT might be considered the stepchild of W(e...

 I decided I needed to follow up PART 4  with a couple of variations on the thymotic/epithymotic word-pair-- but this time, taken from Ameri...

 Some of my current terminology re: "originary and variant propositions" was preceded by the two essay-series CRYPTO-CONTINUITY AN...

  If, in my previous writings on the rationales for metaphenomenal fantasy, I've given the impression that nonsense-fantasy was a new cr...

Here's the statement I made at the end of Part 1 : ...despite the strong association of the colloquial use of the term "fantasy...

I see from Google that others have used the reverse-pun in my title before this. Still, I suspect the connotations of my pun are a little di...

 I saw the following quoted from Roger Ebert with respect to Tim Burton: ..design over story, style over substance - a great-looking movie w...

  In Part 2 of this essay-series , I provided a broad sketch of how the specific genre of "the costumed superhero" had been treate...

 My posts on the NUM theory have gone into great detail as to how literary metaphenomena, whether uncanny or marvelous, are created through ...

Here's a short argument I presented on Classic Horror Film Board, in response to the news that the SIMPSONS character of Apu was going t...

I'd read one or two works by Jack Zipes before sampling THE ENCHANTED SCREEN, and to say the least his heavily Marxist interpretatio...

Helen : Everyone's special, Dash. Dash : [ muttering ] Which is another way of saying no one is. SYNDROME: And when I'm old...

Repeating my end point from Part 2,  I'll assert that in general one cannot have a "monster rally" if one has just one type o...