THE ARCHETYPAL ARCHIVE

 I judged that the film has only "fair" mythicity because it was not as interested in what I have called "correlation-quanta...

The KINETIC is a potentiality that describes the relationships of excitation-quanta. The DRAMATIC is a potentiality that describes the relat...

 I noted in my review of Whitehead's SCIENCE AND THE MODERN WORLD that he introduced many of his jargonistic terms therein, such as ...

 In this 2015 essay I wrote: A stereotype, or stereotypical device, is identical to what I called a "simple variable"  in this ess...

My recent meditations re: Jung's four functions and the four potentialities I deduced from them lead to another revision-- hopefully, th...

The “longer formulation” of quantum literary theory that I mentioned in Part 1 represents an attempt to apply the insights regarding the ma...

As a prequel to a longer formulation, I’m recapitulating my “quantum literary theory” with some refinements. The foundation of the theory...

In the first section of AND THE HALF-TRUTH SHALL SET YOU FREE , I dovetailed my concept of "concrescence" with my current penchant...

Whereas empirical thinking is essentially directed toward establishing an unequivocal relation between  specific  "causes" and  s...

At the end of CONCRESCENCE AND COMPLICATION I wrote: ....since I've gone to great effort to expound upon the ways in which complexi...

In GOOD WILL QUANTUMS PT. 2 I said: But although "density/complexity" is the primary criterion of fictional excellence in any ...

I gave one definition of the word "potentiality" in  Part One , but I was unaware when I gave the term a Jungian-Fryean connotati...

From the beginnings of this blog I've maintained that a narrative's "mythicity" inheres in its ability to focus on * symbo...