THE ARCHETYPAL ARCHIVE

 In the first part of TOTALITARIAN TOKENISM, I said that the essay-series would focus more on art than politics, though I had to set up som...

 So in the previous two installments of this essay-series, I've addressed AT-AT Pilot's essential question. "Is it possible for...

Because free variation is paramount in art, any observations that artists make about empirical contingencies prove secondary. Eugene O’Neill...

It was [Sax] Rohmer's contention that he based Fu Manchu and other "Yellow Peril" mysteries, and real Chinese crime figures h...

Not the artist alone but every creative individual whatsoever owes all that is greatest in his life to fantasy.  The dynamic principle of f...

In PART 3 of THE ONLY DEFINTION OF ART YOU'LL EVER NEED , I followed up my examination of "art as fundamental play" with this ...