THE ARCHETYPAL ARCHIVE

  Before preceding to the discussion of the new category "eminence," which will connote "the organizational power of centric ...

 ...not all crossovers maintain the same levels of stature or charisma. For that reason, I find myself making a major distinction about whet...

 My title for this essay spoofs a title I used for two essays way back in 2011, SO, A THREAD-PULLING NEEDLE, Part 1 and Part 2 , which in t...

As I indicated at the end of GOLDEN AGENCY PT. 1 . "vectors of agency" are what determine whether or not to judge a given crossove...

 Let's see if I can get in one last new analytical term before the year ends... I was musing on the concept of dynamis in the literary s...

Toward the end of the first VECTORS OF INTENTIONALITY , I mentioned the propositional nature of fiction, and this reminded me of some of my ...

The “longer formulation” of quantum literary theory that I mentioned in Part 1 represents an attempt to apply the insights regarding the ma...

  In the three-part EQUAL AND UNEQUAL VECTORS series, beginning here , I referenced the way authorial well manifested in all of the conceptu...

In ENSEMBLES DISASSEMBLED I put forth a tentative analysis of the ensemble of heroes in the Wolfman-Perez CRISIS ON INFINITE EARTHS. In ...

The visual metaphor of vectors mentioned in the previous essay has led me to invert one of the ideas stated in STATURE REQUIREMENTS PT...

Though my rough reading of Whitehead’s PROCESS AND REALITY did not convert me to process philosophy, I profited once again through my exposu...