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SIX KEYS TO A LITERARY GENETIC CODE

In essays on the subject of centricity, I've most often used the image of a geometrical circle, which, as I explained here,  owes someth...

Monday, December 6, 2021

A CONVOCATION OF CROSSOVERS PT. 2

My first crossover-category is that is THE HIGH STATURE CROSSOVER. This is usually a crossover of two or more characters/presences that have embodied PRIME stature in earlier narratives, though there are some exceptions to this rule.



An early example of a literary crossover is that of Rider Haggard's SHE AND ALLAN, in which Haggard's two most famous characters encountered one another for the course of one novel.



In comics, of course, Timely Comics provided a major model for the future when its editors crossed over two of its continuing features, the Human Torch and the Sub-Mariner. However, the character's intermittent encounters were not limited to one interaction, but went on for much of both characters' original runs.




These characters also briefly crossed over in the very short-lived team title, ALL WINNERS SQUAD-- which factoid leads me to mention that I've reversed the position I expressed in THE LOGIC AND APPEAL OF CROSSOVERS, where I said that I did not deem "hero-teams" to be crossovers. Now I tend to say that they definitely are when the majority of the team-members maintain their own separate features. The principle may even extend to characters who had moderately substantial features of their own before being revived by other publishers. Thus the Golden Age character "Miss Victory," who lasted for about five years as a backup feature in an anthology comic, was "ret-conned" to stand alongside a bunch of largely newbie characters in the Americomics title FEMFORCE (which would later pursue many other similar public-domain revivals).



All of these characters are incidents of two Primes interacting. However, in some cases a Prime may appear in another Prime's series in such a way that the former becomes a Sub-- but without a concomitant loss of charisma. For instance, Donald Duck was conceived as a 1931 animated cartoon character long before Uncle Scrooge appeared in a 1947 comic book. Yet whenever Donald and his three nephews appeared in the UNCLE SCROOGE stories, Scrooge was the Prime, as the stories were primarily about him. Yet in a sense Donald and the nephews were an integral part of the Scrooge mythos, in part because regular readers always had some knowledge that Donald existed in his own cosmos alongside that of Scrooge.



To conclude this post, I'll add that on occasion an iconic character will be partly revised for the needs of a later crossover. The original King Kong has but one story, at the end of which he perishes, never to return, at least not at the hands of his creators. However, when the company that owned Kong leased him out to Toho Studios, Kong was revised in many respects-- most significantly, making him large enough that he could stand toe to toe with the Big G. This Kong is not really the original Kong, but there exists a sort of "crypto-continuity" between the two, so that I regard this crossover as a crossover of two Primes, simply because Kong II is meant to be a strong echo of the original icon.

More to come.


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