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Sunday, August 20, 2023

NEAR-MYTHS: "VALHALLA CAN WAIT" (DEFENDERS #66-68, 1978)

 



An online review of DEFENDERS #66 reminded me that it's been a very long time since I first surveyed the early iterations of Marvel Comics' first female powerhouse, The Valkyrie. 

When I began THE ARCHETYPAL ARCHIVE in December 2007, I didn't do many reviews. The first two I later included in my list of mythcomics when I finally committed to that ongoing project, LINUS THE RAIN KING and TO DREAM THE IMPOSSIBLE ADVENTURE. Following that, I devoted a series of posts to the evolution of Marvel's Valkyrie, and, somewhat tangentially, her alleged "creator" The Enchantress. Those posts were:

DAUGHTER OF LOVE AND DEATH-- devoted to the first appearance of the Enchantress and her paramour the Executioner, this analysis also counted as a mythcomic.

FEMALE TROUBLE-- This was about the AVENGERS story in which Valkyrie was supposedly "created" by Enchantress. Not a mythcomic.

WOMEN BEHAVING BADLY-- This talked about the provenance of the two mortal women who became the vessels of the Valkyrie's spirit, Barbara Norris and Samantha Parrington. By my current criteria, none of the Barbara stories are mythcomics, but the HULK story with Samantha, "They Shoot Hulks, Don't They?," does count as such.

KNIGHT MOVES-- And here I discoursed again on both the Enchantress and her involved history with the Black Knight character, and then concludes at last with the events of DEFENDERS #4, in which the persona and power of the Valkyrie was imposed upon the mortal body of Barbara Norris. No mythcomics here.

I noted in the last essay that Valkyrie became "the glue" that held the Defenders group together from then on, for she was a tabula rasa who was not grounded in being anything but a "Scandinavian superhero." I expressed some intention to examine her "gender-kinship with other women," but I never did, and I think it's because this aspect of her character never signified anything but a particular form of "valkyrie-kryptonite." And, having recounted all of my analyses of Early Valkyrie, I can at least comment on the significance of DEFENDERS #66--

--which, perhaps fortunately for me, isn't all that much. The three-part story whose third part has the sporty title "Valhalla Can Wait" receives the cover-copy, "At Last! Valkyrie Enters Asgard!" I'll take the Marvel raconteurs at their word. When I read the story back in the day, I certainly had the impression that this was the first time she'd been in Thor-country. I believe it's also the first time any writer suggested that Valkyrie had an Asgardian body to match the Asgardian spirit that Enchantress had manipulated. However, David Kraft's script for "Valhalla" is extremely rushed. Kraft tells us that somehow the villain Ollerus not only gets hold of Valkyrie's comatose Asgardian form, he manages to transfer the spirit of Barbara-- which has apparently been slumbering in the body controlled by the Valkyrie-persona-- and put Barbara in Val's ACTUAL form.



This could have been a fun bit of body-switching, both in terms of drama, comedy, or both, but Kraft rushes past this potential. He doesn't even do a good job of establishing that Barbara is still something of a madwoman due to her experiences with the Nameless One. Instead, Ollerus focuses on using his phony Val to persuade the Defenders to fight Ollerus' rival Hela for possession of the Asgardian death-realm. 

Ollerus is of course defeated, and the whole "lords-dueling-over-the-death-realm" thing never acquires any mythic significance. If there is a myth here, it might be a myth of exorcism. By story's end Kraft tells us (though we do not see it) that Valkyrie's immortal body with its mortal spirit will join her master in the crappy afterlife of Niffelheim, while Valkyrie will return to Earth with her immortal spirit in Barbara's transformed mortal body. 

And there I believe Kraft leaves things for the remainder of his tenure. Eventually another writer tackles the already complicated Valkyrie-Enchantress narrative and makes it even more complicated, and if time permits I suppose I may eventually delve into this story-line as well. So "Valhalla," despite being very confusing on many points, still earns some status as a near-myth that started a major retcon of the Valkyrie character.



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