Featured Post

SIX KEYS TO A LITERARY GENETIC CODE

In essays on the subject of centricity, I've most often used the image of a geometrical circle, which, as I explained here,  owes someth...

Monday, March 3, 2025

NULL-MYTHS: "THE ARROW OF ETERNITY" (BRAVE AND BOLD #144, 1978)

 While I don't retract anything I said about the two Bob Haney stories I analyzed in this post, here I want to show that even a story constructed from a tissue of coincidences can be pretty entertaining-- the more so that this one is a "rediscovery," one I didn't remember reading the first time round.                                                                                               


 So the action starts when Green Arrow, that noted bibliophile (sarcasm emoji), approaches Batman in his secret ID as rich guy Bruce Wayne, about a discovery the archer made. Arrow came across an old tome talking about a magic arrow made by Merlin himself. This arrow turned up much later in the 1415 Battle of Agincourt, and though history lies and tells us that the English won the battle thanks to superior archery weapons, the book tells Arrow that the English won because of just ONE arrow, when the magic bolt was used to bring down one particular French champion. Arrow being a bug of all things related to archery, the financially restricted hero asks Bruce for a lift to France. Bruce agrees.                                       

 So Arrow bails out of the Batplane, but after he leaves, Batman discovers that Arrow left his book behind. Batman doesn't plan to do much about this, but Some Mysterious Watcher fears that the crusader might launch an investigation of the tome's provenance. The Watcher spirits away the book, and-- causes the Batman to launch an investigation, tailing Arrow to his French destination.       

   
Batman then gets whipped back to 1415 at Agincourt, to which point in time Green Arrow has also been deposited. The mysterious manipulator is none other than The Gargoyle, one of the better Teen Titans villains created by Haney. He didn't want Batman, only Green Arrow, whom he manipulates into shooting him with the magic arrow of Merlin. Seems Gargoyle got exiled to the dimension of Limbo at the end of both of his previous two adventures, and though for some reason he's entered Earth back in the 13th century, he dopes out that he can return to the 20th if he gets shot by the arrow. Why does he have to be shot only by Green Arrow, and only during the Battle of Agincourt? Because the script says so, of course.                                   

                      
Gargoyle succeeds in getting shot, sending him back to the 20th century of his origins. Batman and GA follow, pour on tons of exposition, and eventually send the evildoer back into limbo by shooting him a second time. Despite all these tortured plot contrivances, this is a fun story based just on how well Haney succeeds in playing up the respective strengths of the bat and the archer. And how often do modern comics-stories even reference important historical events like Agincourt, even if the events are rewritten for the purpose of wild fantasy?                                                       

  Similarly, though artist Jim Aparo is no Hal Foster, I can't even imagine a modern comics artist attempting the sort of knightly grandeur seen in the above illustration. 

No comments: