While I guess I could follow up my meditations on the phase shifts of Lois Lane with an essay on, say, Jimmy Olsen, I'll take a 180-degree turn here (however brief) into a similar dynamic I found in a pop-fiction take on a venerable myth from the Hebrew Old Testament.
I won't go into the plot of the 1952 QUEEN OF SHEBA, since I adequately summarized the movie in my review. What makes it relevant to the phase shift I described is that the original texts from the Old Testament, principally "Kings," Solomon is the Prime while the Queen of Sheba-- later given the proper name "Balkis" by Islamic commentary-- is a Sub. So is Rehoboam, son of Solomon. But in the 1952 movie, both of them are Primes, while Solomon becomes a Sub who barely impacts the narrative. But there is no crossover-vibe at all in the movie. Even though Balkis and Rehoboam have absolutely no interaction in the Old Testament, they are both aligned to the "Solomon cosmos." Thus, when the movie centers upon these two characters and relegates Solomon to Sub status, the phase shift involved follows the same pattern as Lois Lane assuming Prime status and demoting Superman.
In contrast, the 2004 film NOAH is a valid crossover of two disparate figures in the Old Testament. There are no associations there between Noah and Tubal-Cain in scripture, except in the generic sense that both are incredibly long-lived figures. For that reason, the movie supposes that Tubal-Cain slew Noah's father Lamech, despite the fact that scripture does not reference Lamech's death in any way. Since Tubal-Cain does not sustain his own narrative, I suppose I would deem him a Sub within the story of his progenitor Cain, so making him a Sub within a pop-fiction version of Noah's narrative is only a minor shift in his Sub-alignment.
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