Regarding my new term in the title, it came about when I encountered TV Tropes using the abbreviation "Dom Com" as shorthand for "domestic comedy." I've been aware of the term "domestic comedy" since I first began reading about fictional genres, and everyone's heard the term "Rom Com" that became popular in the 1990s. But when I read "Dom Com," I responded with my own "Domme Com."
Now, there are a lot of serial comedies in which two or more characters contend in small ways but end up making up, like the classic I LOVE LUCY. This is the basic aesthetic of what I've called the "accomodation narrative." But any comedy, self-contained or serial, that emphasizes an ongoing imbalance of power would broadly qualify as a Domme Com. I'll concentrate here on heterosexual entanglements, though I'll touch briefly on other possible combinations.
(1) The primary type that I've examined here I'll call "The Delectable Domme." Such stories feature a female Domme constantly exerting her power over a male Subbe (a spelling I'll toss in to distinguish the term in my mind from my other use of "Sub.") Examples I've covered over the years include, with assorted variations, include URUSEI YATSURA, RANMA 1/2, NISEKOI, and NAGATORO. Usually these are one-on-one encounters, though various support characters may irregularly torment the male protagonist to provide variety.
(2) A second type, "The Deflected Domme," forswears any power-imbalance between the two main hetero characters, but one or more support-characters exert power over one of the main ones. Said support-characters are not necessarily limited to being of a gender opposite to that of the Subbe. For instance, relations between Darrin and Samantha on BEWITCHED are usually pacific and balanced. But many of Samantha's witchy relations intrude on the couple's marital bliss to torment Darrin, usually with minor, annoying transformations. In keeping with countless mother-in-law jokes, Endora is the main Domme, but it may be no coincidence that Samantha's lookalike cousin Serena is the next most frequent female tormentor. Yet Darrin also frequently gets "subbe-jected" to humiliation by his father-in-law and by Endora's brother Arthur, so male Dommes are seen there as well.
(3) I'll term the third type "The World is His Domme," in that there's a Subbe character who's constantly the butt of torments from nearly everyone, male and female, with whom he comes in contact. In the teleseries ABBOTT AND COSTELLO, Costello's character is sometimes given bad treatment by Abbott. But Abbott is in no way Costello's main tormentor; he's just one of many, male and female.
(4) Finally, I'll term the fourth type "Queen of the Tormenting World," because the Subbe suffers from any number of diverse torments from separate sources, like the Costello character-- but the Subbe suffers all these torments largely because he's become tied to a Domme female. The comic strip BLONDIE, which I'll be examining in future essays, is one where husband Dagwood has become the target of everyone in his circle-- neighbors, bosses, cops, pesky salesmen-- specifically because he's married to a dominant spouse. Blondie, for her part, sometimes appears to be an accommodating spouse like Samantha Stevens. But close examination shows that on a semi-regular basis Blondie exerts power over Dagwood, either overtly bullying him in one way or another or humiliating him with acts of "innocent sadism." (Example: Blondie moves a ladder while Dagwood's working on the roof of their house; after Dagwood falls to the ground, Blondie seems unaware of having wrought harm.)
A second "Queen" example I've often discussed here is MARRIED WITH CHILDREN. In this show Peg Bundy barely makes any bones about tormenting husband Al. Al, unlike Dagwood, responds with insults, but his impotent responses merely underline that he's just as much under Peg's thumb as Dagwood is under Blondie's. MARRIED offers an unusual variation in that the husband-wife couple is mirrored by the relationship of their teenaged kids. Bud, in contrast to the Al-Peg dynamic, occasionally does manage to degrade Kelly because she unlike her mother is stupid. Nevertheless, the majority of their battles validate Kelly, if only because of her dumb luck, so it's pretty obvious that the sibling relationship was designed to mirror that of the married couple.
Next up: Chic Young's not-so-innocent sadist.
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