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In essays on the subject of centricity, I've most often used the image of a geometrical circle, which, as I explained here,  owes someth...

Tuesday, November 5, 2024

MORE MORE NAMOR

 I've been having a good conversation with Sub-Mariner fan "John" in the comments for this 2017 post, so I thought I'd dish out a few more observations on Marvel's waterlogged warrior.

One thing I didn't mention in my 2017 essay is that from time to time I go searching through the SUB-MARINER comics of the forties and fifties, looking for stories that fit my specialized category of "mythcomics." What I've found so far as mostly decent formula stories with really fine Bill Everett art. This isn't a knock against the Golden Age version of the character. Dozens of long-lived characters were better served by their art than by their plots or characterization. Everett's SUB-MARINER is in my view on the same level as Jack Cole's PLASTIC MAN; great to look at, but not that much story-wise.




Still, there were some interesting twists here and there. In issue #38 of the second SUB-MARINER series (February 1955), Everett apparently felt that other people's stories had taken his once-popular character and powered him down too much. So his solution in "The Sub-Mariner Strikes" was to "re-power" Namor with the idea of restoring his superman-status. After he's restored to his former status, the Emperor announces that he wants to launch a new war of conquest against the surface-dwellers-- a war that never gets off the ground, aside from the one task he gives Namor: to dispose of an air-breather ship. Namor ends up sparing the humans' lives, though not without regrets, since they act like assholes to him. No further suggestions of aggression by Namor's people take place in the ensuing stories, so perhaps the editors decided that they wanted Everett to confine himself to done-in-one tales.

Then in issue #40-- three issues away from the title's cancellation-- Everett wrote and drew "The Sub-Mariner and the Icebergs," a tale which might have provided some tropes that Stan Lee used in his 1960s revision of Namor's origin.



An American fleet of ships intrudes upon the arctic oceans where Namor's sub-mariners live. Namor immediately believes the flotilla is an invasion force and uses his people's tech to surround the ships with icebergs. In self-defense the ships' leader orders the icebergs dynamited, which causes some destruction of the sea-dwellers' nearby city-- which recalls the mission of Captain McKenzie in the Marvel Origin. Everett then has the Emperor send Namora to sabotage the ships, which resembles the way Namor's mother Princess Fen infiltrates McKenzie's ship with some idea of spying on the humans. (How she was going to spy with her blue skin hanging out was never explained.) 



Namora is captured and held hostage, which forces Namor to talk turkey with the captain of the flotilla. He claims to be the head of a scientific expedition looking for uranium-- and though this isn't necessarily a venture without ANY military applications, it proves true that the humans aren't intentionally encroaching on the sub-mariners. 




Namor accepts the humans' pledge of peace, but his evil cousin Byrrah tries to re-incite hostilities. However, before he can do so, the humans inform Namor that his own interference with the icebergs has triggered an unstoppable seismic reaction that will destroy the sub-mariners' city. Over Byrrah's protests, Namor evacuates his people-- and sure enough, the city is destroyed by a seaquake. The story ends with a plea for peace and a touch of tragedy as the subsea people seek to rebuild "their shattered empire." In FANTASTIC FOUR #4, Stan Lee may have remembered "Icebergs" when he had Atlantis destroyed by nuclear tests and its people scattered, though only a few more Sub-Mariner stories transpired before Namor was reunited with his people once again.

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