I've taken on many ambitious projects on the ARCHIVE over the year, but one project I'll never attempt is to figure out the role that fictional sadism plays in Japanese pop culture, even though I've often pointed examples of manga that were particularly engaged with this psychological concept. Still, I can point out some interesting variations on the theme.
I've finished a still-in-progress manga with the wordy title of PLEASE DON'T BULLY ME, NAGATORO, in which a minor form of sadism is used as a means of improving a potential romantic partner's intestinal fortitude. The premise begins with second-year high schooler Naoto, an extremely withdrawn young man who loses himself in the school's art club-- of which he's the only member-- in order to avoid engaging with his peers. His life changes, largely for the better, when a first-year student, a girl named Nagatoro, notices him and makes her mission in life to constantly torment the fellow, constantly insulting him for being a "virgin" and committing minor acts of physical abuse on Naoto's person.
Given that Nagatoro is a comely damsel despite her aggressiveness, Naoto is not entirely unhappy with her bullying. Even though she's being sarcastic when she calls him her "senpai"-- allegedly her superior in age and stature, with her being his "kohai"-- she brings Naoto out of his shell, sitting for him as his model so that he stops painting safe subjects like flowers and fruit. As of this writing the relationship is still in flux, with Naoto asking Nagatoro on their first date. But one particular episode is worth examination.
Because Nagatoro is one of the "cool kids" at the school, some of her female friends become interested in making fun of Naoto as well, though not with Nagatoro's personal motives. Since Nagatoro constantly calls Naoto a "pervert," the other girls in her pack do the same but with a significant difference.
In the story "Senpai is a Quiet Pervert," Nagatoro's peer calls Naoto a "herbivore," meaning that he has no sexual nature whatever. Nagatoro is quick to correct this misimpression:
The two girls argue, and Nagatoro offers to prove her judgment of Naoto's "quiet perversion" by searching out one of the erotic manga he keeps in the art room. Naoto alone knows that though he has an erotic manga nearby, it's not in the art room, so Nagatoro's quest is doomed to failure. But because he'd rather be thought a sex-obsessed loser than a sexless loser, he covertly gets hold of the manga and brings it into the art room-- thus supporting Nagatoro's vision of him.
It's not clear as to whether Nagatoro realizes what Naoto has done, but either way, she doesn't spare him her scorn. But in comparison to the opinions of the other girls, Nagatoro's insults will in future act as a goad, encouraging him to take a shot at finding a non-manga girlfriend.
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