BABE OF THE DAY - VALERIE PEREZ...
2 hours ago
In essays on the subject of centricity, I've most often used the image of a geometrical circle, which, as I explained here, owes someth...
... because the established mythology at the time of this 1954 comic continually emphasized a romantic tension between Batman and Catwoman-- that's the narrative value-- the scene (which isn't in the story) takes on a significant value of "battle of the sexes," which is certainly one motif within the story proper (a reformed Catwoman returns to crime because she wants to challenge Batman again). We cannot know if the adult raconteurs who crafted the story (Edmond Hamilton and a "Bob Kane" ghost) were aware of the S&M associations of the whip, particularly when it's wielded by one gender against the other, but if they did they may've assumed that the scene would "tease" readers into buying the comic even though, being 1954 juveniles, they might not know consciously why the scene seemed appealing.
But Flash, if you keep finding new enemies, when can we hold our wedding?
As the 1960s began, a discouraged Lee, nearing his 40th birthday, told his wife, Joan, that he was thinking about leaving his job. She told him that before he quits, why not try to write one story he really liked.
…to be saved is to be weak. And to be weak, one must acknowledge that one exists in a constant state of need. Thar, in his normal state, man is found to be lacking.
Mankind cannot live in peace with [sic] himself. His nature denies this.
The manga series was able to investigate these potential S&M aspects in much greater detail than the series can (though the closing montage works in a fair amount of nudity and chains). About the only episode which gets as wild as the manga is the first-season episode "Math and the Vampire." The story, in both manga and anime, suggests the pressure high-school students feel to excel in subjects like math, for Tsukune is briefly enslaved by evil teacher Ririko, who dresses in sexy outfits but apparently only gets turned on when her favored student mindlessly spouts mathematical theorems. Appropriately, Ririko's form is that of a Lamia, which in Greek mythology was a female creature that murdered children.