I''ve never read any of the PUNISHER features with any regularity, even back when the character's popularity skyrocketed in the nineties. I've enjoyed odd issues in the same way that I've enjoy Chuck Norris films: lots of extravagant action with not much plot or characterization. Nevertheless, the Punisher has gone through many permutations, and so it's possible that he might take on mythic stature in one tale or another.
I picked up a library copy collecting PUNISHER WAR JOURNAL from the 2010s. I had some vague memory of having heard that this one was one of the better Punisher titles, though now that I've read the collection, I feel sure that I must've heard some compliments for an earlier incarnation of the title. All of the stories in this collection, authored by Matt Fraction, are lightweight in the extreme. I've read little or none of the work for which Fraction became popular in the 2010s, but his other work must have more content than this garbage.
The eighties was a time in which many comics professionals, particularly those from Merrie Old England, began producing "grim and gritty" versions of superhero features aimed at the dominantly older DM comics-audience. Yet all of these pros had been raised on the G-rated comic books of the Silver and Bronze Ages, and many of them sang the praises of the comics' "age of innocence." Grant Morrison did a story of an aging superhero in some issue of ANIMAL MAN, Neil Gaiman did a Riddler story, and Alan Moore wept crocodile tears for lost innocence with the Kool Aid Man.
A reader could read any of these and get the gist of Fraction's work on the first twelve issues of WAR JOURNAL. Of course, Moore, Morrison and Gaiman all showed numerous times that they could do much more than self-conscious parody. But that's all there is to Fraction's Punisher.
Here's Frank Castle deciding that he just won't put up with the silliness of the Silver Age, by blowing away the Stilt Man's junk.
Later, at the supervillain's wake, a bunch of classic and not-so-classic villains, mostly from the Silver Age, get together and talk about the Good Old Days as if it was all a big game, and didn't involve them trying to murder the heroes who interfered with them.
(On a side-note: even though these old villains used G-rated violence, G-rated violence can still kill a person! One of the main virtues of SPIDER MAN HOMECOMING was the bracing scene in which the movie's version of the Vulture shows just how dangerous a flying villain can be to a non-flying crusader.)
There's not much more to these twelve issues than the dubious pleasure of seeing a "realistic" hero blow away all these colorful fantasy-figures. Fraction has no psychological insight, even of a deconstructive kind, into either the Punisher, his allies (an obscure seventies villain, Rampage, gets recast into the role of the main hero's weapons maker), or any of the villains. It's all pseudo-Moore sardonicism with none of Moore's skill with satire. It's as if Fraction read Moore and the other "adult pulp" writers of the eighties and thought that their pretensions to realism were the only things worth imitating.
Oh, and I don't know if Fraction started this, but now the vigilante hero has a deep and abiding regard for Captain America for some reason-- apparently because Cap beat up Frank Castle during some army training maneuvers? These issues take place around the time that Steve Rogers was temporarily killed off, so there's an arc of stories dealing with how a new, white-nationalist version of the Hate-Monger tries to usurp Captain America's uniform. Fraction is just as incompetent in dealing with "real problems" like racism as he is in playing games within Marvel's immense fantasy-cosmos.
Next to self-important tripe like this, even throwaway trash-tales of Castle shooting up a bunch of drug-dealers are preferable by far.
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